Using our online system to create a quotation which is valid for 14 days.
We developed a simple self service system that allows Government Departments, Educational institutes, and Corporate companies, to obtain a quick quotation request, by following these simple steps.
- To create an Online Quotation, add the product(s) you wish a quote on to your shopping cart as if you were placing an order.
- After adding all the items to your shopping cart click "View Shopping Cart"
- On the Shopping Cart Page, instead of selecting the "Proceed to Checkout" button, click the "Request a Quote" button instead. (see below example)
You will then be redirected to the Login Page (if you're not already logged in) and you will be asked to log into your account. (see below)
If you don't have an account you will then need to create one, at this step. We require this information to capture all your details, so we can provide you with accurate shipping costs, and also if we needed to discuss particulars of the request with you.
Once you have logged into or created your account, you will then be re-directed to the Quotations Submission Page where you can submit your quote request.
All the items in your cart will be visible on this page (see below). You can also add any comments to the request, and select what your preferred method of payment will be.
Once the quote has been submitted, a Quote ID will be applied to it, (Shown as QU-XXXXX) which you can reference in any correspondence with us. A Confirmation of the request will also be emailed to you.
Once received by us, we will review your request and return to you with our most competitive quote.
Please allow up to 24hrs for Processing.
You will get a follow-up e-mail (Subject will read: Your Quote, QU-XXXXX has been completed).
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To top their previous achievement with the Pocket Cinema Camera 6K, Blackmagic Design adds an even more full-featured, compact Super35 camera to their cine-style line with the Pocket Cinema Camera 6K Pro. The 6K Pro features all the recording features, sensor, dynamic range, buttons, and ports as its predecessor, and adds a variety of important new features such as a 5" tilting HDR capacitive touchscreen LCD with 1500 cd/m² brightness, a Pro EVF option, built-in clear/2/4/6-stop ND filters, dual mini-XLR inputs, an accurate timecode clock, an NP-F570 L-series battery slot, and updated Gen 5 colour science.
With only a slightly larger form factor than the 6L, the 6K Pro records the same resolutions up to 50 fps 6144 x 3456 video, and it retains the valuable active Canon EF mount, letting users take advantage of the expansive array of EF/EF-S mount lenses available. The EF mount supports iris, autofocus, and zoom functions using electronic communication when using compatible lenses.
The 6K Pro can turn one frame into two by cropping a second shot from one frame, upscaling to 8K, or simply capturing rich, detailed footage with your favourite EF/EF-S-mount lens. The updated Gen 5 internal colour processing makes it easy to intercut 6K Pro, 6K, and BMPCC 4K footage. Record using the internal CFast 2.0 and SD/UHS-II card slots or via the full-size HDMI port to an optional ATEM Mini switcher for live streaming, or output via the USB Type-C port to capture longer clips to an external drive. The 6K Pro includes a DaVinci Resolve Studio license and supports Blackmagic Raw capture from the sensor. Using the Raw format with the sensor's metadata simplifies editing to suit any project and makes editing easier with DaVinci Resolve.
The compact 6K Pro retains the familiar controls and menu layout of the 6K model, such as ISO support up to 25,600, 13 stops of dynamic range, and 1920 x 1080 HDR monitor output. Professional audio support now includes two mini XLR inputs with phantom +48V power, a 3.5mm stereo input, a mono speaker, a headphone output, and a built-in stereo mic system.
Additional pro features include lens metadata support, 3D LUT application for both monitoring and recording, up to 21.2MP still image capture, and a multifunction grip that enables single-handed operation. Sync multiple cameras for a concert, event, or other multicamera shoots by linking an external timecode generator to the 6K Pro internal timecode generator (accessed via the 3.5mm audio port). Then save valuable time by using Resolve to automatically sync your multicamera shots in post.
In addition to the DaVinci Resolve Studio activation key, the 6K Pro comes with a 30W power supply offering simultaneous battery charging, an MP-F570 battery, a lens port cap, and a camera strap. Optional accessories designed specifically for the 6K Pro include the BMPCC Pro EVF and BMPCC Pro Battery Grip, available separately.
New 6K Pro Features
5" tilting HDR capacitive touchscreen LCD with 1500 cd/m² brightness
Built-in clear/2/4/6-stop IR ND filters
Dual mini-XLR inputs
Electronic lens communication with iris, autofocus, and zoom control available with compatible lenses\
Super-accurate timecode clock
NP-F570 L-series battery slot
Updated Gen 5 colour science
Optional Pro EVF and battery grip
Active Canon EF Lens Mount
Choose from a wide array of Canon EF/EF-S-mount lenses and automatically populate lens metadata with compatible lenses
Super35 Image Sensor / Dual Native ISO
The 6K Pro camera uses a Super35-size sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to 6144 x 3456 up to 50 fps
Blackmagic Raw and ProRes Options
Capture in Blackmagic Raw or ProRes 422 options depending on your project's needs
Up to 6K Shooting Resolutions
Multiple resolutions include 6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1), 5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI), 1920 x 1080 (HD), and more
Versatile Media Capture Options
Record internally to CFast 2.0 or SD/UHS-II card slots, or capture longer clips using the USB Type-C output to an external drive
DaVinci Resolve Studio License Included
The 6K Pro is compatible with DaVinci Resolve and includes an activation key for Resolve Studio
Effective Sensor Size
23.10mm x 12.99mm (Super 35)
Active EF mount.
Iris, focus and zoom on supported lenses.
Dual Native ISO
400 and 3200
6144 x 3456 (6K) up to 50 fps 6144 x 2560 (6K 2.4:1) up to 60 fps 5744 x 3024 (5.7K 17:9) up to 60 fps 4096 x 2160 (4K DCI) up to 60 fps 3840 x 2160 (Ultra HD) up to 60 fps 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps 2868 x 1512 (2.8K 17:9) up to 120 fps 1920 x 1080 (HD) up to 120 fps
Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60 fps in 6K 2.4:1, 120 fps in2.8K 17:9 and 1080HD.
Built in ND Filters
Four position ND filter with clear, 2‑stop, 4‑stop and 6‑stop IR ND filters.
Auto focus available using compatible lenses.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.
5” 1920 x 1080.
LCD capacitive touchscreen.
Automatically populated lens data from electronic EF lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.
Touchscreen menus on 5-inch screen. 1 x Power Switch,1 x Record Button,1 x Stills Button,1 x Scroll Wheelwith push integrated into handgrip, 1 x ISO Button,1 x White Balance,1 x Shutter Button,3 x software configurable Fn buttons, 2 x ND filter button,1 x Focus Button,1 x IRIS Button,1 x High Frame Rate (HFR) Button, 1 x Zoom Button,1 x Menu Button and 1 x Playback Button.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Total Video Inputs
Total Video Outputs
1 x HDMI up to 1080p60
Analog Audio Inputs
2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input. Can also be used for Timecode input.
Analog Audio Outputs
1 x 3.5mm headphone jack.
USB Type-C for external drive recording, PTP camera control and software updates.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1, Blackmagic RAW Constant Bitrate 5:1, Blackmagic RAW Constant Bitrate 8:1, Blackmagic RAW Constant Bitrate 12:1, Blackmagic RAW Constant Quality Q0, Blackmagic RAW Constant Quality Q1, Blackmagic RAW Constant Quality Q3, Blackmagic RAW Constant Quality Q5, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime.
iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and internal record start and stop when used with a compatible ATEM and ATEM Software Control.
1 x CFast 2.0.
1 x SD UHS-II card.
1 x high speed USB-C expansion port for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6144 x 3456, 6144 x 2560, 5744 x 3024, 4096 x 2160, 3728 x 3104 and 2868 x 1512 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.
ProRes at 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT.
Storage rates based on 30 frames per second.
6144 x 3456 (6K)
Blackmagic RAW 3:1 - 323 MB/s Blackmagic RAW 5:1 - 194 MB/s Blackmagic RAW 8:1 - 121 MB/s Blackmagic RAW 12:1 - 81 MB/s Blackmagic RAW Q0 - 242 to 483 MB/s Blackmagic RAW Q1 - 162 to 387 MB/s Blackmagic RAW Q3 - 108 to 277 MB/s Blackmagic RAW Q5 - 65 to 162 MB/s
6144 x 2560 (6K 2.4:1)
Blackmagic RAW 3:1 - 240 MB/s Blackmagic RAW 5:1 - 144 MB/s Blackmagic RAW 8:1 - 90 MB/s Blackmagic RAW 12:1 - 60 MB/s Blackmagic RAW Q0 - 180 to 359 MB/s Blackmagic RAW Q1 - 120 to 287 MB/s Blackmagic RAW Q3 - 80 to 205 MB/s Blackmagic RAW Q5 - 49 to 120 MB/s
5744 x 3024 (5.7K 17:9)
Blackmagic RAW 3:1 - 264 MB/s Blackmagic RAW 5:1 - 159 MB/s Blackmagic RAW 8:1 - 100 MB/s Blackmagic RAW 12:1 - 67 MB/s Blackmagic RAW Q0 - 198 to 396 MB/s Blackmagic RAW Q1 - 133 to 317 MB/s Blackmagic RAW Q3 - 89 to 227 MB/s Blackmagic RAW Q5 - 54 to 133 MB/s
4096 x 2160 (4K DCI)
Blackmagic RAW 3:1 - 136 MB/s Blackmagic RAW 5:1 - 82 MB/s Blackmagic RAW 8:1 - 51 MB/s Blackmagic RAW 12:1 - 35 MB/s Blackmagic RAW Q0 - 102 to 203 MB/s Blackmagic RAW Q1 - 68 to 163 MB/s Blackmagic RAW Q3 - 46 to 116 MB/s Blackmagic RAW Q5 - 28 to 68 MB/s Apple ProRes 422 HQ - 117.88 MB/s Apple ProRes 422 - 78.63 MB/s Apple ProRes 422 LT - 54.63 MB/s Apple ProRes Proxy - 24.25 MB/s
3728 x 3104 (3.7K 6:5 anamorphic)
Blackmagic RAW 3:1 - 177 MB/s Blackmagic RAW 5:1 - 106 MB/s Blackmagic RAW 8:1 - 67 MB/s Blackmagic RAW 12:1 - 45 MB/s Blackmagic RAW Q0 - 133 to 265 MB/s Blackmagic RAW Q1 - 89 to 212 MB/s Blackmagic RAW Q3 - 60 to 152 MB/s Blackmagic RAW Q5 - 36 to 89 MB/s
2868 x 1512 (2.8K 17:9)
Blackmagic RAW 3:1 - 67 MB/s Blackmagic RAW 5:1 - 41 MB/s Blackmagic RAW 8:1 - 26 MB/s Blackmagic RAW 12:1 - 17 MB/s Blackmagic RAW Q0 - 51 to 101 MB/s Blackmagic RAW Q1 - 34 to 81 MB/s Blackmagic RAW Q3 - 23 to 58 MB/s Blackmagic RAW Q5 - 14 to 34 MB/s
1920 x 1080
Apple ProRes 422 HQ - 27.5 MB/s Apple ProRes 422 - 18.4 MB/s Apple ProRes 422 LT - 12.75 MB/s Apple ProRes Proxy - 5.6 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Mac 10.15 Catalina, Mac 11.1 Big Sur or later.
1 x External 12V power supply.
External Power Input
1 x 2‑pin locking connector.
Approximately 60 minutes (recording 6K RAW at 24 fps to CFast 2.0 with screen brightness at 50%)
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