With its multiple polar patterns for highly versatile sound capture, immense SPL handling, and low self-noise, the black AKG P420 Large-Diaphragm Condenser Microphone is poised to give clear, distortion-free sound and the functionality of three mics in one, whether you record vocals at home or mic up blaring guitar cabs and explosive drums on stage. This side-address mic sports a rugged all-metal body that not only bolsters durability but also aids in rejecting RF interference from sources such as wireless systems. It comes with a spider-type shock mount to isolate the mic from vibration noise and a metal carrying case for safe transport.

The true condenser capsule of the P420 utilizes dual 1" gold-sputtered diaphragms tuned to yield a detailed sound with a gentle rise in high frequencies to enhance clarity. Plus, it is capable of handling SPLs up to 155 dB (-20 pad on) without audible distortion, so it'll have no problem taking on drums and guitar amps. A low-cut filter at 300 Hz can be engaged to help reduce rumble, wind noise, or even bass buildup from up-close miking. Thanks to its cardioid, figure-8, and omnidirectional polar patterns, the P420 is just as capable in front of a rapper producing tracks in a bedroom as it is surrounded by an ensemble in a studio. Use a separately available XLR cable to connect the P420 to an XLR mic input that can supply 48V phantom power.

Three Polar Patterns

This side-address microphone offers three polar patterns to attain optimal sound in a wide variety of applications. Each of the P420's selectable polar patterns is virtually frequency independent so that reflected sound will be reproduced accurately and uncolored.

• Cardioid (center setting): This is a standard setting for recording and gives excellent results on all kinds of voices and a wide range of instruments. Remember to aim the microphone front at the sound source, because it is most sensitive to sounds arriving in front of it while picking up much less of sounds arriving from the sides or rear.
• Figure-8 (left-hand setting): The microphone will pick up sounds arriving in front and rear with equal sensitivity. Use this mode to mic up the side signal in M/S stereo recording or to record two sound sources (talkers, instruments) facing each other. It is also a good choice for cymbal overhead miking.
• Omnidirectional (right-hand setting): This is the preferred setting for "all around the mic" recording, high-quality ambience (audience sound) miking, or far-field recording in exceptionally good-sounding large or small recording rooms, etc.