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Blackmagic URSA MINI Pro 4.6K

Blackmagic Design
Product Availability
Top Seller

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SRP : $9,105.00 Inc GST
Instant Savings: $949.00

What's in the Box

Blackmagic URSA MINI Pro 4.6K
  • URSA Mini Pro body
  • Turret dust cap
  • EF lens mount
  • Side Handle with LANC Cable and strap
  • Power supply
  • SD card with software and manual
  • DaVinci Resolve Studio USB dongle

Introducing URSA Mini Pro, a professional digital film camera that combines the incredible image quality of URSA Mini 4.6K with the features and controls of a traditional broadcast camera! You get a massive number of ergonomically designed controls on the side of the camera so you can adjust most settings by feel, and without ever having to take your eyes off the action.

URSA Mini Pro is a professional digital film camera that combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera! You get a Super 35mm 4.6K sensor with 15 stops of dynamic range that’s perfect for feature films and can also be instantly switched to traditional video mode for regular video work. Also included are built in ND filters, user changeable lens mount, plus RAW and ProRes format recording to dual media CFast or SD cards. URSA Mini Pro is a perfectly balanced, compact body that’s comfortable enough to be used all day!

UPC: 9338716004540
Try These Top Sellers
Rated 5 out of 5 by from ENG features with cinema level quality for an indie price This is an absolutely fantastic camera. It has been improved over the original Ursa Mini in every way, and the physical toggles are excellent and easy to use and positioned in a way familiar to anyone who has used an ENG camera before. However, all the controls are also available on the touchscreen, which is intuitively laid out and super easy to use.

The sensor produces a spectacular image, and the internal codecs put it far and beyond cameras at a similar price point. This camera doesn't seem to be plagued by the same issues as the original Ursa Mini, such as magenta tinging or fixed pattern noise, but it is the same sensor. As such, its low light performance isn't in the same league as Sony, and is limited to an ISO of 1600, so you will need fast lenses or use this camera where lighting is more controllable. The image is clean however, and the 10-bit codecs hold up to colour extremes like stage lighting exceptionally well.

Audio is a touch noisy when using high gain, and there's an electronic buzz when using an unbalanced audio source such as the Rodelink via a 3.5 to XLR adapter.

All in all, a well designed camera that brings high end ENG and cinema features into a single, affordable body that competes well with other cameras in the price range.
Date published: 2017-04-08
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(03) 9543 8885
(03) 9543 8865
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